Isai Anjali (Tribute to S.P.Balasubrahmanyam) – Leon James – Indipop/Remix/Tamil: This is a surprisingly—and stunningly—well-produced recreation by Leon!! Check out free fonts below, download them or create text images and logos with them online. That ‘Malli Malli Raave’ line seemed very interesting as a closing phrase the pallavi! Tala: In the Tagalog mythology, Tala is the goddess of stars. And Mejjo surprises here by producing an almost ghazal-like semi-classical song, and Javed Ali’s incredibly affecting singing makes it even better! Naa Kanulu Yepudu – Rang De (Devi Sri Prasad) – Telugu: Oh boy! The tune’s energy is infectious and the backing vocalists, Nimra Rafiq, Kumail Jaffery, Shahab Hussain and Wajiha Naqvi deserve a special mention too in accentuating that! The singers of the songs featured in the episodes have not been credited either, from what I could notice in the end credits of each episode. make the recreation so much more inventive and enjoyable! Font Meme is a fonts & typography resource. /* mb-widget */ Good masala fun song. . This is a beautiful blend of Tamil Nadu’s earthy sound in a way that makes it globally relevant. Mera Hai Tu – Vasuda Sharma (Indipop/Hindi): A wonderfully soothing ballad composed and sung by Vasuda. The guitar in the background, the flute and sax phrases, everything evokes the early-Rahman sound so well, even as Kailas’s tune itself is rich and gorgeous! Nicolas Nakhle’s Oudh is the standout sound in the background. Even Shantanu, saddled with a smaller role, does significantly better than his film roles that demand that he play as per some version of a conventional hero. Elk met hun eigen stijl, voorkeur en soms zelfs met wat exclusieve, interactieve content. The song is mounted on a larger-than-life frame even at the musical level, with so many interesting and lively things happening at the same time, topped by Mangli’s hyper-enthusiastic singing! Hey Abbayi – Sreekaram (Mickey J Meyer) – Telugu: After his brooding, sweeping, soulful songs in recent times, it is refreshing to hear a catchy, fun, mass’y song from Mickey. Catchy song with Yuvan sounding better than he usually does in his own songs. Bhaktajana Vatsale – Oneness (Sant Namdev, Guruprasad Subramanian, ft. Revathy Kumar): Guruprasad and Revathy’s follow-up to their outstanding opening single from the Oneness collection is a delightful listen! Interesting to see more than 3 million views for this pop song that doesn’t seem to have the backing of a big music label or stars! The whispery melody is lovely and mid-way, the background gets wonderfully grand with the strings rising up to occasion wonderfully. It is an abugida, meaning that unlike alphabets such as Greek or Latin, is not written with complete vowels. Achieveressays.com is the one place where you find help for all types of assignments. google_ad_slot = "5717185300"; 9. The music has a verve that is hard to shake off! Composer Arun Chiluveru has a winner here! Milliblog Weeklies – India’s only multilingual, weekly new music playlist. Divya Malik’s singing works wonderfully too. Avan Paathu Sirikala – Kodiyil Oruvan (Nivas K Prasanna) – Tamil: An absolutely gorgeous melody that is so very Nivas! Madhan Karky’s new lines adorn the familiar tune in a completely new way and add significant heft to the effort. YouTube has all 11 songs, while Spotify is missing just one – Vijay Antony’s recreation of Namma Ooru Singaari. The song sounded to me like Hamsanadham, and took straight back to Geetanjali’s Om Namaha. Find more similar words at wordhippo.com! Thunai – Keerthana Vaidyanathan & Prashanth Techno (Tamil/Indipop): This is an astounding musical exposition of AruNagirinaadhar’s Kandhar Alangaaram! Theeranadi, Kaathirundhen, Unnaithaane & Oh Azhage/O Ajooba – Maara (Ghibran) – Tamil: Besides Yaar Azhaippathu and Oru Arai Unadhu, about which I wrote about in the Weeklies late last year (in November), I’m amazed at the quality of music in Maara, the Tamil remake of Charlie (which had stupendously good music by Gopi Sundar). Anbhol – Coke Studio Season 2020, Episode 4: If it was Aizaz Sohail’s vocal prowess in Megh, it is Sanam Marvi’s stupendous show in Anbhol! Aizaz’s vocal prowess gets more pronounced as the song ends! But the makers/Netflix have not bothered to release the songs officially. On second thoughts, if he had perhaps tried to ape SPB or try to outdo him, the results would have been very different, so this sounds appropriate enough. The singers, though, seem to struggle – Yogi, in the higher notes, and Roja, almost all through. I really wanted to add Kanne KaNmaNiye by R.Sivatmikha (sung by Ananthu and Sivatmikha herself) and Thangam by Justin Prabhakaran, both from Paava Kadhaigal, the new anthology show on Netflix. postboks 7240. The composing duo, Yakzan Gary Pereira & Neha S Nair, weave a dreamy melody that waltzes (literally, in the anupallavi!) Week 140: On Spotify | On YouTube10 songs this week. But Simon’s semi-classical rock style music works effortlessly! Ghibran layers the tune with a fantastic chorus to accentuate the effect. You can then save the image or use the EMBED button to get image links. Dharan’s melody is soft and easy-on-the-ear, layering a very soft melody with the racy rhythm at places. But it is a must-watch too. Tu Kabhi Kabhi has a lovely rhythm and even has a line aptly summing it up, “Karo na, iss rhythm pe (dance/romance)”. Now let me respond… manner It is thoroughly engaging and musically works very well too. The songs remains exactly the same, featuring Shreya Ghoshal and Kavita Seth’s voices, with its soft, warm Rajasthani lilt. Onder collectief vaandel streamen verschillende redactieleden van Gamersnet hun eigen game-avonturen. Benny Dayal’s lively singing, the song’s gradual start that steadily picks up a lovely bluegrass’y pace and the dreamy way it ends… lovely package! After my initial enthusiasm for Anupam’s style of music, I warmed up and settled on presuming that his music continues to play in one zone, inside a template of sorts. Raghu’s tune is a lovely listen, with Abheri raaga seeming to the main base, though I could hear a couple of others too. Maayangal – Kutty Story (Karthik) – Tamil: The first single from the just-released anthology that I believe has more songs (hopefully in the coming weeks?). Dhakka Laga Bukka – Tandav (A R Rahman) – Hindi: A lot has happened since Tandav went live on Amazon Prime, but that’s a different tangent. Charkhe – Nyasa (Indipop/Hindi): What started like a Rabbi Shergill song suddenly takes off with that ‘Bolo bolo’ hook… and what a take-off it is!! Yaana features Varijashree Venugopal’s free-flowing humming as the base for Sandeep to unleash pulsating music, while The Road Not Taken gains phenomenally from Abhay Nayampally’s scintillating mandolin. Rendu Kannultho – Dil Se (Srikar Velamuri) – Telugu: Srikar has a lilting melody that works effortlessly, and the choice of Shreya Ghoshal works wonders too! I’m not able to pinpoint why, though – it’s possibly because I hear the melody as something that may have been composed by a few other composers too, besides him. Saranga Dariya​​ – Lovestory (Pawan Ch) – Telugu: What would a Telugu song composed by Sanjay Leela Bhansali sound like? You may also want to use our image tools to modify the image. Harla Farla – Chakra (Yuvan Shankar Raja) – Tamil: A song that surprisingly sounds like Yuvan’s output from the beginning of his career… or even the period around Ameer’s Raam. Works effortlessly. The 4th episode, ‘Vaanmagal’, by Gautham Menon, is the exception – the characters stay where they are, suffering the consequences of that lack of exposure to the larger world, and the trusted character does a gravely terribly thing only in their thought, not in reality. Dil Hawaai Hai – Bickram Ghosh, Ft. Hariharan (Hindi/Indipop) – The last time Hariharan joined a percussionist, the result was pure magic: Hariharan and Ustad Zakir Hussain’s ghazal album Hazir from 1992. The composer seems to be going from strength to strength, almost like Rahman in his peak, back in the days! Mascara – Vayu (Indipop/Hindi): A fairly familiar and predictable tune, though made more enjoyable due to Paresh Pahuja’s singing. Week 143: On Spotify | On YouTube13 songs this week. Milliblog Weeklies – India’s only multilingual, weekly new music playlist. The sound is very similar to the band’s and it adds to the charm, as a layer above Armaan Malik’s singing. And since they start each song from the anupallavi instead of the actual beginning, the enjoyment is even more pronounced. This is a tough call and a difficult watch. Kola Kalle Ilaa – Varudu Kaavalenu (Vishal Chandrashekhar) – Telugu: The melody didn’t work for me as much as I would like it to (for a Vishal Chandrashekhar song), but he packages the song well, with the choice of Sid Sriram working for him too. Milliblog Weeklies – India’s only multilingual, weekly new music playlist. The vocal humming (Ooooo) is used wonderfully to blend with the overall song’s dulcet tones, while the way the music crescendoes towards that humming (starting with Nee Kadal) makes for fantastic listen. I’m not sure. Nee Parichaya – Ninna Sanihake (Raghu Dixit) – Kannada: A Kannada song that credits Santhosh Narayanan as music programmer! DSP does play his creativity well in the interludes too, particularly’s Manonmani’s Saarangi, and himself on the Banjo. The tune and rhythm are thoroughly infectious and the music video is added fun, playing on a love-triangle to great effect. The lilting rhythm adds so much to the overall feel of the song, while Malvi Sundaresan’s singing lifts it significantly! The sound is electric and the tune is searing! The effect is almost akin to an Ilayaraja song. Paadatha Pattellam – Viswanathan-Ramamoorthy, Dharan Kumar & Kunguma Poove – S.M.Subbaiah Naidu, Flute Navin (Tamil/Recreation): This Carvaan Lounge Tamil seems like a neat idea. Romance In Trance – Mr & Miss (Yashwanth Nag) – Telugu: The soundtrack of Mr & Miss is interesting, though for reasons I’m not able to pin, isn’t interesting enough. Raah Niharu – Hum Dono (L.Subramaniam) – Hindi/Indipop: The album has 8 songs and features besides Kavita Krishnamurthy, singers like Sonu Nigam, Lucky Ali, Suresh Wadkar, Pandit Jasraj and Hariharan. Neevevvaro – Boyfriend For Hire (Gopi Sundar) – Telugu: This is that lofty Gopi-style melody that he rarely gets wrong! Nadiyon Paar (Let the Music Play) – Roohi (Emanuele Marascia, Alessandro Murru/Sachin-Jigar) – Hindi: The composing duo produce a very competent recreation of the iconic 2008 hit by Shamur. The anthology is proof that when familiar filmmakers break the template mandated by mainstream, theatrical cinema’s 2-2.5 hours and story-telling contrivances forced by audience segmentation, they can untether their own imagination to new, soaring heights. Dil Tera – Indoo Ki Jawani (Rochak Kohli) – Hindi: What Dil Chahta Hai’s Woh Ladki Hai Kahan attempted with only the video/visuals, Rochak attempts to add music to the same idea. So Baby – Doctor (Anirudh) – Tamil: What a vibrant song by Anirudh! In Vignesh Shivan’s ‘Love Panna Uttranum’, the final scene is a clumsy text screen at the end of the episode that says that the otherwise cruel father goes to France with his remaining daughter and learns to rap from his son-in-law. Still, Ghibran’s song is fairly different and could be similar from a genre point of view only. The lyrics by Asal Kolaar (who also sings it) and Rokesh is the clear highlight. This is the standard masala film template song – the girl singing about the girl, and then the guy singing about the girl, with people dancing in the background. Unnai Kaanadha Kannum – K.V.Mahadevan, Girishh Gopalakrishnan (Indipop/Tamil): Continuing on Carvaan Lounge Tamil’s track record so far, Girishh’s reimagination of this classic Tamil song is excellent.
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